areuonsomething.com
The Doo Wop Essential Top 100 by Ray D'Ariano
There's this great clip on You Tube featuring George Carlin talking to Arsenio Hall about Doo Wop.
"When I was growin' up, '52, '53, '54, when I was 15, 16 and 1,ok, the best years& the white music, the pop music of that time, was Perry Como, and, you know, Bing Crosby, and The Andrew Sisters, and Georgia Gibbs&.that what was on the radio&..(but) disc jockeys like Alan Freed were out there startin' to get this thing rolling& we were lucky because the jukeboxes in our neighborhood had The Drifters, The Dominos, The Orioles, The Clovers, the early groups, The 5 Crowns, The Spaniels, The Flamingos, all the bird groups, The Swallows. They called them all the bird groups, The Cardinals were another great one. So it was much better music for making out...We'd get into the fish, the grind, or whatever we would call the dance, just an excuse to stand still and make out is all it was. That music was a strong pull because again it had that freedom to it, you know?
Clyde McPhatter was still with The Dominos. He hadn't left yet to form The Drifters. When he left that's when Jackie Wilson took over for him in The Dominos. In '53 The Spaniels had Goodnight Sweetheart, Goodnight. (Then) The white music business ripped off the black music which happened in '54, Sincerely, and all those tunes, and this guy, what was his name, Bill Haley and the Rockets?.. the Comets&.really lame stuff&.and they copped Joe Turner's tune, Shake, Rattle and Roll, which was his and he beat them to the charts by a couple of months so we were like bugged with that&you know white people covering this good music. We knew the original Sh- Boom was by the Chords&At 17 I went into the Air Force, this is when I really got into the music& that's when I started singing some of these songs, and it wasn't doo wop. That's another word that came along later when these white groups were doing it. It was still rhythm and blues what I call hallway groups. There were some pretty decent (white) groups. I don't mean to just generally dismiss them, but there was a difference between what I was growing up with and what came along later."
The label doo wop is controversial, to say the least, among the artists who performed the music. During a recent interview Little Anthony said, "We are not a doo wop group. It is a misconception." An interesting comment since he and The Imperials are the latest inductees into the Rock and Roll Hall of Fame, joining other 'doo wop' artists The Coasters, Frankie Lymon and the Teenagers, Dion, The Drifters, and The Platters. Question: is "I'm On The Outside Looking In" rock and roll? No problem calling it a pop record or even doo wop, but rock and roll? It gets complicated and it's really like splitting hairs. Anthony and The Imperials and all of the groups who are known today as doo wop are all masters of vocal group harmony. You can label it anyway you want, but it is vocal group harmony.
Truth is, as Carlin points out, the music wasn't called doo wop when it was recorded and released back in the day. In the 40's and 50's black artists records were dubbed as race music and that title evolved into rhythm and blues. There were many styles of music under the R&B umbrella...solo artists, bands, and the harmony music now known as doo wop.
The actual term doo wop probably goes back to a riff in "When You Dance" by The Turbans. Then on "In The Still Of The Night" by The 5 Satins there's another vocal doo wop riff in the background, but why single that out and label an entire style of music with that name? Some credit, or damn, depending on your point of view, the late DJ Gus Gossert with coining the phrase on his New York radio shows, but others say it originated in California.
Fact is for the last 30 years the term "doo wop" has been used to describe old R&B plus 50's and early 60's vocal group harmony. Many of the early R&B artists dislike the term and we not only respect them, but love the incredible music they created. With that said for our purposes the term doo wop covers great vocal group harmony records primarily from the 50's and 60's, with an occasional tune recorded earlier or later.
R&B, Doo Wop, Rock and Roll, Race Music&different names for what really matters& the music. What follows is a list of one hundred excellent examples of this music that will never die.
The Doo Wop Essential Top 100
1. |
Gloria - The Cadillacs |
|
Diamonds and Pearls - The Paradons |
3.
|
I Only Have Eyes for You - The Flamingos |
4.
|
Daddy's Home - Shep and the Limelites |
5.
|
I Wonder Why - Dion and the Belmonts
In 1989, Lou Reed inducted Dion into the Rock and Roll Hall of Fame and said, "(I wanted to escape…) the world of SAT tests, the college boards - leap immediately and eternally into the world of Shirley and Lee, the Diablos, the Paragons, The Jesters. The lyrics sat in my head like Shakespearian sonnets with all the power of tragedy: "Gloria," "Why Don't You Write Me Darling." "Send Me A Letter" - The Jacks. And then there was Dion - that great opening to "I Wonder Why" engraved in my skull forever. Dion, whose voice was unlike any other I had heard before. Dion could do all the turns, stretch those syllables so effortlessly, soar so high he could reach the sky and dance there among the stars forever.
|
6.
|
To Be Loved - The Pentagons |
7.
|
Oh What A Night - The Dells
Great Chicago group who were originally called The El-Rays. |
8.
|
Since I Don't Have You - The Skyliners |
9.
|
Hey Senorita - The Penguins
This tune was called "Esa Chiquita'. As "Hey, Senorita" it was released as the A-side, but the jocks played the B side and "Earth Angel" reached #8 on the pop charts. |
10. |
Sincerely - Moonglows |
11. |
Been So Long - The Pastels |
12. |
When You Dance - The Turbans |
13. |
Where Or When - Dion & the Belmonts |
14. |
Why Do Fools Fall in Love - Frankie Lymon and the Teenagers
Originally titled "Why Do Birds Sing So Gay?" |
15. |
I'm So Happy (Tra-La-La-La-La) - Lewis Lymon and the Teencords |
16. |
16 Candles - The Crests
Johnny Maestro (John Mastrangelo) is one of the greatest male vocalists in the history of rock and roll. In the 1950's he fronted one of the first integrated groups, The Crests. They formed in Manhattan, and included Harold Torres, Talmadge Gough, J.T. Carter, and the older sister of Luther Vandross, Patricia Vandross.
|
17. |
Glory Of Love - The Five Keys |
18. |
At My Front Door - The El Dorados |
19. |
One Summer Night - The Danleers |
20. |
The Wind - The Diablos – Covered by The Jesters. |
21. |
Can't We Be Sweethearts - The Cleftones |
22. |
Please Say You Want Me - The Schoolboys |
23. |
Look in my Eyes - The Chantels |
24. |
Wisdom Of A Fool -The Five Keys
Tony DeLauro, producer of The Royal New York Doo Wopp Show, a series of unforgettable concerts that ran from the late 70's to the early 90's at The Beacon Theater and Radio City Music Hall in Manhattan: "To me "Wisdom Of A Fool," that's the song. Rudy West and The 5 Keys. We always used to tape the show on to cassette and I would take the tapes home with me. I would put my headphones on, put the tape in the stereo, and lie down on the floor and listen. That night I must have dozed off and I remember waking up at 4:30 in the morning just as Rudy West was singing "Wisdom Of A Fool." It's a pure love song. The point of the song was don't ever let someone who loves you go.
|
25. |
That's The Way It Goes - The Harptones |
26. |
Lovers Never Say Goodbye - The Flamingos |
27. |
In The Still Of The Night - The Five Satins
Written by its singer Fred Parris and New York City's all time favorite oldie. |
28. |
Earth Angel - The Penguins |
29. |
Morse Code Of Love - The Capris
Recorded in the early 80's and a big hit in the northeast. Manhattan Transfer covered it on their great album 'Bop Doo- Wop which includes "Heart's Desire," "That's The Way It Goes," and "Unchained Melody."
|
30. |
Zoom - The Cadillacs |
31. |
You Belong to Me -The Duprees |
32. |
Looking for an Echo - Kenny Vance
He put Jay and The Americans together and now fronts The Planotones who along with Kenny's vocals - sweet tenor and/or falsetto - create adult doo-wop harmony that never forgets the teen angst and passion embedded in its roots.
|
33. |
You Cheated, You Lied - The Shields |
34. |
My Prayer - The Platters |
35. |
I Thank The Moon - The Crests |
36. |
Tears on My Pillow - Little Anthony & the Imperials
Born in New York City in 1940, Little Anthony Gourdine became one of rock's most sensational and passionate vocalists. At age 15 he joined The Duponts, his first doo-wop group. His next group, which featured vocalists Clarence Collins and Ernest Wright, Jr., was called The Chesters. They were signed to End Records, and changed their name to The Imperials. Their first single release, "Tears On My Pillow" was released in 1958, and it was the legendary DJ, Alan Freed who first called the group Little Anthony & The Imperials, a name that they decided to use from that point on.
|
37. |
My True Story - The Jive Five |
38. |
Life Could Be A Dream (Sh-Boom) - The Chords |
39. |
Maybe - The Chantels |
40. |
Life Is But A Dream - The Harptones |
41. |
Church Bells May Ring - The Willows
Neil Sedaka played the chimes on this recording. |
42. |
Denise - Randy and the Rainbows |
43. |
Don't Ask Me to Be Lonely - The Dubs
The originally recorded as The Marvels, but it was this tune that got them on the charts in 1956. |
44. |
Little Girl of Mine - The Cleftones |
45. |
Tonight Could Be The Night - The Velvets |
46. |
Please Say You Want Me - Schoolboys |
47. |
Little Star - The Elegants |
48. |
Long Lonely Nights - Lee Andrews and the Hearts |
49. |
Story Untold - The Nutmegs |
50. |
Remember Then - The Earls
If the only thing they ever did was their classic doo wop riff . . . WOP WOP PATTY PATTY BOP BOP SHOE BOP DE BOP BOP OWOOOOOOO . . . in this tune they would have made their contribution to the history of rock and roll. It is a perfect rock and roll record.
|
51. |
Sunday Kind of Love - The Harptones |
52. |
We Belong Together - Robert & Johnny |
53. |
This Magic Moment - The Drifters
Nik Cohen writes, "The Drifters were masters of escape . . . their basic message was always the same: Somewhere in this city, so vast and impersonal, so loud and harsh and filthy, their is still a refuge, where nothing can reach you, where fun is still fun."
|
54. |
Smoke Gets In Your Eyes - Platters |
55. |
Can I Come Over Tonight - The Velours |
56. |
So Fine - The Fiestas |
57. |
Lonely Way - The Skyliners |
58. |
Speedo - Cadillacs |
59. |
To Love And Be Loved - The Pentagons |
60. |
Blue Moon - The Marcels |
61. |
Who's That Knocking - The Genies |
62. |
Tonite, Tonite - The Mello-Kings |
63. |
Could This Be Magic - The Dubs |
64. |
Goodnight, Sweetheart, Goodnight - The Spaniels |
65. |
Have You Heard - The Duprees |
66. |
Castle in the Sky - Bop Chords |
67. |
Chapel of Dreams - The Dubs |
68. |
Golden Teardrops - The Flamingos
A perfect example of vocal group harmony. |
69. |
Babalu's Wedding Day - The Eternals |
70. |
Tonight I Fell In Love - The Tokens |
71. |
Cherry Pie - Marvin & Johnny |
72. |
Ten Commandments Of Love - The Moonglows
Bobby Lester and Harvey Fuqua had a group called The Crazy Sounds renamed The Moonglows by DJ Alan Freed.
|
73. |
Worst That Could Happen - Brooklyn Bridge |
74. |
There's a Moon Out Tonight - The Capris |
75. |
The Way You Look Tonight - The Jaguars |
76. |
That's My Desire - Dion and the Belmonts |
77. |
We Belong Together - Robert & Johnny |
78. |
Crying In The Chapel - The Orioles
According to the Rock and Roll Hall of Fame, "The Orioles established the basic pattern for the doo-wop sound: wordless, melismatic harmonies surrounding the tenor vocals of Sonny Til and George Nelson's baritone. The Orioles differed from groups like the Mills Brothers and the Ink Spots in that they made purely vocal music without orchestration and accompanied only by the solo guitar of Tommy Gaither.
|
79. |
What Time Is It - Gene Pitt & The Jive Five |
80. |
What's Your Name - Don and Juan |
81. |
This I Swear - The Skyliners |
82. |
A Thousand Miles Away - The Heartbeats |
83. |
Come Go with Me - The Del-Vikings |
84. |
This Is My Love - The Passions |
85. |
Only You - The Platters |
86. |
Over the Rainbow - The Dimensions |
87. |
Devil or Angel - The Clovers |
88. |
Oh Rosemarie - The Fasinators |
89. |
Heart and Soul - The Cleftones |
90. |
Every Day Of The Week - The Students |
91. |
For Sentimental Reasons - The Cleftones |
92. |
Gee - The Crows |
93. |
Hushabye - The Mystics |
94. |
Book of Love - The Monotones |
95. |
Goody Goody - Frankie Lymon and the Teenagers |
96. |
Never - The Earls |
97. |
The Great Pretender - The Platters |
98. |
Image of a Girl - The Safaris |
99. |
I'm So Young - The Students |
100. |
In The Chapel In The Moonlight - The Orioles |
|